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9
a.m. in the morning. The journo comes to his office, tired as hell,
fed-up with life, his eyes bleary, his head throbbing. It
might be a
result of those several glasses of whiskey he drank the previous night
in his lonely den, watching an endless stream of stupid sitcoms and
soap operas on his old crappy TV. But he prefers to believe that his
crazy workload is to blame.
Music
journalism, you’d think it’s the job of
everyone’s
dreams. Bullshit. Bloody drudgery, that’s what it is.
Listening
to squeaking amateurs who try to brainwash you with their idiotic
lyrics. Tormenting your ears to the point of going deaf. Nearly being
trampled under the feet of crazed young psychos at what they call
"concerts".
He pulls the blinds to shield himself from the merciless sunlight, then
stares at his table. In the only clear spot among the scraps of paper,
dirty plastic cups, dry pens and empty boxes of mints, a new CD lies,
with a small yellow memo paper attached to it. Review
this by noon,
the message reads.
Damn. A thousand blacksmiths hammer in my head, you don’t
suppose
me to add some other bloody noise to the cacophony, do you? Go to hell.
He plops himself on the rickety chair. Picks up a glass from the table,
smells it. The stale stench of old beer only deepens his misery. He
wearily stands up, goes to the corridor and pours a plastic cup of
coffee from the machine. Trying to make himself invisible from the
people he passes, he retreats back to his office, back to his chair. He
takes a mighty gulp of the black brew, nearly choking on it, and picks
up the CD again. A
debut album by an Australian folk singer,
the message on the yellow paper continues.
Some
fucking folkie. Campfires, where have all the flowers gone, green
meadows, bold rebels, white sheep, black sheep. Bleah. What have I done
to deserve this?
He considers quitting his job – just like he does at least
five
times a week. He considers throwing the CD deep into his drawer,
pretending he has never seen it. What?
You’ve left a CD on my table? That’s strange
indeed. Maybe
the cleaning woman pinched it? I heard her hum some awfully folky tune
over the vacuum cleaner the other day...
He considers swapping the review-writing duty with the sports editor in
exchange for some free concert tickets. But then he sighs, takes
another gulp of coffee, which is quickly turning cold, and plunges into
the cruel, demanding work.
Well, mate, let’s have a look at this opus of yours...
He examines the artwork on the cover. |
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Green.
A greenhorn? Fish. Fist. Hmm, what a combination... Wait. Maybe
he’s an eco-terrorist! One of those bastards who would love
to
see people returning to caves and using candles for lighting. Ha!
A wave of anger sweeps over the journo and he hurriedly scribbles a
title for his review. Fishy Effort. He looks at it and decides he likes
it. The three lettes "f" give it an almost poetic
quality.
He smirks to himself and turns the CD over.
Destitution
Road... Look, mate, it’s me who is destitute here. And abused
and
overworked and everything. So don’t claim it for yourself.
In Aimsir Bhaint... What? What crazy language is this, Chinese?! Ah,
the guy wants to be "in", to give his effort a "world
music" flavour. To be trendy. Damn him.
Catalpa? This sounds Spanish for a change. Yes, an ethno boy. Embracing
the whole world, absorbing all the influences to mix an indigestible
hotchpotch.
Whiskey Yer The Divil... "Divil", ha ha. On top of
everything, he cannot spell. But whiskey... that’s not a bad
idea...
The journo takes a ring binder from his shelf and reaches behind it.
Raising a small cloud of dust, he pulls out his office bottle. Empty.
Maybe a few last drops at the bottom, but nothing more. He eyes it
wistfully, then puts it back, finishes his cold coffee and turns his
attention to the CD again.
Rose
of Allendale... Dark Molly... Looks like we have a romantic here.
It’s a wonder the disc isn’t all sticky with sugar.
The Pound a Week Rise... Yes, give me just that! Don’t bother
me with stupid CDs, better give me a rise!
Is Iomaidh Coiscéim... I will break my tongue over this
gibberish. How come he didn’t break his fingers when typing
it?
Well, maybe he did.
The Ballad of Accounting... Accounting?! Here we are. He’s an
accountant. Hums romantic tunes while obediently checking balances for
his bosses – thus spoiling both.
Whiskey on a Sunday... Hey, stop tormenting me! You do this on purpose,
you know that I’ve run out of my supplies and need a drop of
the
good stuff desperately... No, I’m not going to read this any
further or I’ll get mad with thirst.
Disgusted, the journo tosses the hapless CD away and switches on his
comp. Waiting for the old, tired machine to start, he compiles the
review in his head, so when he can finally open the text editor,
pre-prepared sentences spill from his fingers smoothly and easily.
Fishy Effort
This new offering at the music market, a debut album from a new talent
from Australia, surely has very high ambitions. Trying to mix various
influences from all parts of the world while staying deeply rooted in
the folk genre, and to show his interest in global problems such as the
environmental issues, while not forgetting about basic human emotions,
the songwriter strives to create a sparkling, colourful cocktail for
every taste. However, the result is half-hearted at best.
Following the current world / ethno music fashion, he draws inspiration
from virtually everywhere, intertwining exotic eastern motives with hot
southern rhythms. While this "recipe" might have
been
refreshing when it appeared for the first time, it has been worn out by
constant use, and it is no longer enough, unless the musician manages
to approach it in a new, original way. Too often it is just an
attractive, fashionable cover to hide the emptiness below, and this
album is no exception. Foreign motives are haphazardly thrown into
old-fashioned folk tunes, like a glittering jewellery used to decorate
an old, worn blouse. Exotically-sounding titles do not suffice to bring
a breath of fresh air to the stale folk world.
Lyrically, the album examines three recurring topics: money, drinking
and the old favourite – love. Although one cannot help
wondering
where the money-obsession stems from, the first topic at least brings
in some playfulness, openly and shamelessly declaring what’s
the
centrepoint of the lives of many, reminding of the classic "Money,
Money, Money" by ABBA. It also provides at
least
some flashes of originality – how many songs with
"accounting" in the title have you heard? The drink
theme
sticks to the usual "drinking alcohol is bad but I cannot
refrain
from it" cliché, and the love songs virtually drop
saccharine, using the most hackneyed phrases such as comparing the
objects of love to flora species.
To sum up – better go fishing into different waters. A fair
advice given both to music lovers and to the songwriter.
The journo reads his creation and a satisfied smile spreads over his
face. Not bad. He is proud of himself that he managed to make it sound
so profound and so metaphoric. His eyes fall on the CD once again.
Shouldn’t he listen to a couple of songs at least? Just to
confirm his opinions? His headache has got a bit better, but listening
to some crap could worsen it again. Nah, he won’t risk it. He
looks at his wristwatch. Plenty of time till noon. And he
won’t
hand out his masterpiece any sooner because they could pile him up with
some other work immediately. He’ll wait and take a
well-deserved
rest.
He leans back in the chair, closes his eyes and dreams about
more-than-pound-a-week rises, rose-like girls and whiskey on every day
of the week... |
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